Tracks of the Week: Circa Waves, GEESE, Wolf Alice, The Royston Club, and More!

Tracks of the Week: Circa Waves, GEESE, Wolf Alice, The Royston Club, and More!

As we endure another heatwave, we have an exciting week of new releases to enjoy. Here are some of the IINAG team’s favourites for you to check out.

Circa Waves – Cherry Bomb

Everyone’s favourite indie darlings are with the announcement of the second part of their album ‘Death & Love’ – set for release this October. Earmarking the start of this new chapter is ‘Cherry Bomb’ – a cut steeped in infectious instrumentation and breezy vocals. Similar to the narrative of the Joan Jett track, ‘Cherry Bomb’ is rebellious (“Ready to kill anyone / Yeah she’s my cherry bomb”) and equal parts heartfelt and optimistic. – Lana Williams

Geese – Taxes

New York’s finest, Geese, return this week with their latest offering to the world – ‘Taxes’. Hot off the success of frontman Cameron Winter’s extraordinary solo record,
‘Heavy Metal’, and the group’s last record ‘3D Country’ – Geese are back in business for yet another album, the upcoming ‘Getting Killed’. Unapologetically Geese yet unmistakably Winter, the track almost feels like everything great about the band’s previous efforts and everything great about ‘Heavy Metal’ fused together to birth Geese at their very best. Winter’s signature warbles and wails intertwine with the transcendent instrumentation to allow for a serious breakthrough, a seriously
impressive band getting even more impressive – seriously. – Tyler Wright

Wolf Alice – The Sofa

“The Sofa” offers a serene, almost dreamlike addition to Wolf Alice’s discography, showcasing a different facet of their dramatic flair. Unlike the assertive “Bloom, Baby, Bloom”, this track unfolds with a graceful, unhurried pace, bathed in the warmth of sweeping strings that cradle Ellie Rowsell’s hushed vocals. It evokes a timeless, orchestral pop sensibility, a gentle departure from their usual rock dynamism. Rowsell’s lyrics muse on the quiet contemplation of reaching her thirties, finding solace in the act of surrender and allowing life to simply unfold. It’s a tender, reflective piece that provides a profoundly moving and mature addition to the band’s catalogue. – Katie Macbeth

The Royston Club – Cariad

‘Cariad’ is the latest offering from Wrexham’s The Royston Club’s upcoming second album, ‘Songs For The Spine’. Known for their energetic indie anthems, the Welsh quartet delivers a more introspective ballad that trades punchy riffs for raw emotion. Cariad is a Welsh term of endearment, similar to love or darling, and the track navigates the lingering aftermath of that ex-girlfriend: “All of these pictures of you and I / Plastered on the hallways of my mind.” The track captures a different shade of The Royston Club — emotive and tender, yet their unique cheek and charm linger. It’s a captivating shift that adds depth and balance to their growing discography, hinting that Songs For The Spine might offer more than just indie bangers. – Henry Dunn

BIG SPECIAL – GOD SAVE THE PONY

In a surprise release, BIG SPECIAL unleashes ‘GOD SAVE THE PONY.’, a thunderous meditation on inner burdens that blends their signature existential grit with fresh elements of funk and dark humour. The track retains the raw power of their earlier work while signalling significant growth, as the duo hones in on themes of moral reckoning, quiet resilience, and the struggles of everyday life. Propelled by impassioned vocals and sharp, visceral instrumentation, this new offering is a potent reminder of the band’s unique and evolving sound. – Ollie Thomas

Gwenno – Utopia

‘Utopia’ the gorgeous, dreamlike title track of Gwenno’s latest album, immediately captivates. It paints a vivid picture of a life unfolding against the rapidly fading hues of Las Vegas, a narrative gracefully delivered over an ever-evolving groove. This sonic landscape sounds like a classic Philly Soul band embarking on an exhilarating new journey into the cosmos, reminiscent of Air’s Moon Safari. The track is a lush, immersive experience, blending soulful rhythms with an ethereal, otherworldly atmosphere, making it a standout piece that transports the listener to a truly unique sonic realm. – Lucy Nelson

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