The 1975 – Notes on A Conditional Form

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The 1975 notes on a conditional form cover artwork

After months of it being pushed back, The 1975 finally release their 4th studio album, Notes On A Conditional Form (NOACF), this Friday. 8 singles later, we’re sat with the full 22 track album in our hands, with the bands manager Jamie Oborne saying that it’s the bands ‘finest work to date’ – is this really the case?

Notes on A Conditional Form opens with The 1975, as do all their albums. However, this one is different, featuring a speech from Swedish activist Greta Thunberg. The track was released back in July last year and called for civil disobedience in response to climate change, standalone it’s message is strong and ‘powerful’, yet upon NOACF it begins to feel slightly out of place.

People follows, the first ‘proper’ single to be released from the album. This track is one of the best upon the album, seeing The 1975 diversify their sound, reminiscent of that of their ‘Drive Like I Do’ days, begging for attention and holding the listener captive with a clear political message. However, this seems to be the last of that.

NOACF, features a large proportion of instrumentals. The End (Music For Cars) a cinematic piece, enjoyable standalone, yet rather jarring when placed after People. Reprised in Streaming, just two tracks later, almost ruining the beauty of The End (Music For Cars). This isn’t the last of the instrumentals though, NOACF features a handful more, Having No Head is another easy skip, even on first listen, feeling as if it’s an obstruction, stopping listeners from getting to the end of the album.

Nothing Revealed / Everything Denied is one of the strongest tracks upon the album, the introduction of the choir here is simply beautiful, reminiscent of If I Believe You from the band’s second album, I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It, the track sees Matty Healy tear his curated persona to pieces, confessing that his life feels ‘like a lie’. It’s on tracks like these where The 1975 go from strength to strength, lyrically beautiful and George Daniels’ production comes to life.

Gorgeous tracks like Nothing Revealed / Everything Denied, Tonight (I Wish I Was Your Boy), Me & You Together Song and Then Because She Goes seem to feel lost amongst the instrumental fillers, when listened to on their own these tracks are stunning, yet the jarring placement on NOACF makes them instantly forgettable.

If Notes On A Conditional Form was an 11 track album, with less instrumentals and a shorter running time, it’d have the potential to be The 1975’s best album, yet at 22 tracks long and a running time of just over 80 minutes, NOACF feels self-indulgent and flat. For a band with such potential, it’s disappointing to see The 1975 fall from grace.


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Katie Macbeth

katie macbeth

Katie Macbeth is a freelance music journalist for Indie Is Not A Genre based out of Manchester, presenter of @drunktankthink, and post punk enthusiast.

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