The myth of the English wild woman, a symbol of pagan rebellion and untamed nature, is an archetype that has been historically marginalised or romanticised. The Brighton quartet, The New Eves, embody this spirit, refusing to be confined by modern musical conventions. To simply label them a folk band would be a disservice, as their unique sound is a hypnotic blend of relentless, driving rhythms, shimmering guitars, and potent proto-punk influences.
The album’s opener, “The New Eve,” is a powerful mission statement. It introduces a fierce, apocalyptic saviour of folkloric rebirth, who challenges traditional narratives of femininity. This theme of female empowerment is prevalent throughout the record. For instance, “Highwayman” re-contextualises Alfred Noyes’ classic poem from a fresh perspective, and “Astrolabe” embraces a nomadic, rebellious existence. Through their music, the band uses themes of movement and nature to reject the modern world and instead create their own distinct and untamed domain.
The New Eves’ sound is both dynamic and unpredictable. Tracks like “Cow Song” transition abruptly from pastoral serenity to a breakdown of howled vocals and shredded strings. Conversely, the band also showcases a poignant emotional core in the heartbreaking ballad “Mary,” where raw vocal delivery is meticulously balanced with intricate instrumentation. The rattling drums, sharp bursts of guitar noise, and mournful accordion all serve to highlight the band’s greatest strength: their powerful attention to detail.
The New Eve Is Rising is a remarkably confident debut, standing out in a year full of innovative folk music. Their work honours historical roots while forging a new and genuinely distinct sonic path. The album culminates with tracks like “Rivers Run Red” and “Volcano,” which evoke the thick, primordial force of natural elements, creating an all-consuming musical experience that leaves you feeling completely engulfed.
