Since their debut in 2021 with the album Projector, Geese has rapidly established itself as one of the most innovative and acclaimed bands of their generation. Hailing from Brooklyn, this eclectic group has cultivated a passionate and growing fanbase by consistently delivering fresh and experimental indie rock, a sound that not only defies conventional categorisation but also draws upon a rich tapestry of musical influences throughout history. With the release of their third album, Getting Killed, Geese appears poised for a significant breakthrough, a moment underscored by the recent acclaim surrounding the frontman Cameron Winter’s solo projects and the band’s unwavering commitment to artistic evolution.
This new record stands as a bold testament to Geese’s dedication to surprising their audience and pushing musical boundaries. Departing from the Americana undertones that characterised their earlier work, Getting Killed dives into uncharted territory with a fearless, avant-garde approach. The album opens with the track “Trinidad,” which immediately captivates the listener with its cacophony of discordant noise juxtaposed against Winter’s anguished wail, declaring, “There’s a bomb in my car.” It sets a stark tone, drawing the listener into a world of intensity and urgency. The title track blends a gritty, bluesy guitar riff with a haunting, looped Ukrainian choir, creating an atmosphere that is both mesmerising and profoundly unexpected.
Further into the album, the song “Taxes” showcases a moment of introspection and spiritual reckoning, where Winter fervently pleads, “If you want me to pay my taxes / You better come over with a crucifix.” These lyrics reflect the weight of existential dilemmas, striking a chord with listeners grappling with their own burdens.
Despite the intricate details and abrupt musical transitions prevalent throughout Getting Killed, the album never succumbs to chaos. Instead, it embodies a masterful cohesion, confidently demanding attention and accolades rather than passively earning them. Geese is not just a band that adheres to its exhilaratingly free-spirited reputation; they actively redefine what is expected of them in the contemporary music landscape, firmly establishing themselves as a force to be reckoned with.
